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Located in Mississauga - S of QEW, 1 km East of Winston Churchill Blvd.
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2359 Royal Windsor Drive, 1 km West of Southdown Rd. 
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Visit us @ 2359 Royal Windsor Drive, Mississauga ON (South of QEW 1 km West of Southdown Road)

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For prompt, quality, professional service at reasonable rate call  905-855-1030 to schedule your private appointment.  All works supported by our written Warranty. We offer: 

  • Upright and grand piano tuning

  • Tone voicing

  • Action regulation

  • Piano assessment service

  • Upright & grand piano reconditioning

  • Partial and full rebuilding

  • Finish touch-up & repair
  • Full refinishing
  • Rebuilding combined with refinishing

A piano ...

 

...not only serves the art of music, it is a work of art itself. A wonderfully complex machine, it has thousands of moving parts, a framework and soundboard supporting tremendous string tension, and beautifully finished cabinetry.

Although remarkably durable, pianos are subject to deterioration with time and use. Felt wears, strings break, wooden structures weaken and crack, and the exterior finish loses its beauty. Regular service and periodic action regulation can compensate for minor wear, but heavy or extended use — especially when combined with wide seasonal humidity swings — can eventually cause severe deterioration.

 
 
 
A. Sounding Board ("Soundboard")
B. Pin-Block (Wrest plank) in which tuning pins are anchored
C. Action (consists of up to 9000 parts)
D. Key-frame ("action frame") on which action and keys are mounted
E. Cast-iron plate - bears the strain of stringing  ( up to 35000 lbs. of tension) 
F. Bridges (Bass and treble) through which vibration of strings is transmitted to soundboard
G. Braces ("Support-Beams") provide additional support to a tremendous string-tension
H. Case ("rim") into which the plate and soundboard are fitted and anchored

 

 

 

Indeed, TUNING, (tone) VOICING and (action) REGULATION are three most important and most needed forms of piano service.

 

What is piano tuning?

The pitch: The "highness" or the "lowness" of the sound, corresponding to the frequency of the vibration.   

In simple terms, piano tuning is a procedure performed by a qualified piano technician ("piano tuner") that adjusts an instrument so that it sounds  - "in tune". Some 230 strings in any piano are stretched at high tension (depending on a scale-design- there is some 17-20 tons of the string tension) across a cast-iron plate (frame), one end of each string being attached to a hitch pin an the other end coiled around a tuning pin. The pitch of each string when vibrating depends, among other factors, on the tension at which it's stretched. By turning the tuning pin, using the device (wrench) called "the tuning hammer" the tension can be tightened or slackened, and thus the pitch altered as assessed by the technician and guided by the reference point.

Internationally accepted reference point is A 440, also known as a "concert pitch"-produced by a "tuning fork". "A 440" (440 vibrations per second) is a term that describes note A above the middle C and is defined as the sound produced by  the "A-fork" or the tuning fork . Tuning, then, means adjusting the tension of each of the piano strings, using a tuning hammer to turn the tuning pins, so that the pitch of each string sounds pleasingly in harmony with the reference point, note A, and every other string according to certain known acoustical laws, aesthetic rules and customs. 

Piano tuning, in essence, is a fairly simple procedure however it requires a very special skill, talent rather, as well as training and experience.

The fact is that by having your piano tuned at least once, or (preferably in our climate) twice every year - you are extending the life of your instrument, preventing possible major problems and -  protecting the piano - your investment. 

 

What is (tone) voicing?

Some piano technicians describe the voicing as changing the tonal color of the piano. Even in tune, piano's tone may not be even, some notes or even the whole groups of notes may sound "sharper" or "softer" (mellower) then the rest of the notes on the piano. The process performed by a qualified piano technician that brings those uneven notes in tonal balance with the remaining notes, and with each other, in simple terms, is called a tone voicing. Voicing, technically speaking, is performed by adjusting and (or sometimes repairing) the piano hammer's felts. By making the felt on the hammer softer, the sharp sound transforms into more pleasant, softer sound. Similarly, by changing the density of the softer felt , piano hammer produces brighter sound. So, voicing can be performed as voicing-up, or voicing-down, depending on the "tonal status".  Voicing can be done as a minor adjustment of only few notes on the piano, still, dedicated piano technician may spent more time voicing those few notes then on tuning the piano.

However in some cases a complete voicing (change of the color of the tone) may be requested. The fact is that  many new pianos are designed to produce loud, sharp, often metallic sound as its original tone setting - aimed to attract inexperienced buyer and/or beginner player. As the level of playing skill develops, the player starts to have difficulties in working necessary dynamic contrast on such instrument, and often asks piano technician to try to change the harshness of the sound - tone voicing then becomes the (only) option. We are often approached by customers that purchased new pianos elsewhere and with maturity of their skill and taste ask for the tone of their piano to be improved. While voicing can somewhat improve the overall quality of the sound, the best is to avoid purchasing "loud", "harsh"- metallic or bright sounding new pianos. Rather look for mellower, softer sounding instrument: Aside from presenting the obvious difference in the design, the softer sounding piano will only improve in richness of the tone in years to come, contrary to the loud or harsh sounding ones.

 

What is (action) regulation?

What is regulation and how does it affect piano's performance?

Regulation is the adjustment of the mechanical aspects of the pianos to compensate for the effects of wear, the compacting and settling of cloth, felt, and buckskin, as well as dimensional changes in wood and wool parts due to changes in humidity.

The three systems involved in regulation are the action trap-work and damper system. The action is the mechanical part of the piano that transfers the motion of the fingers on the keys to the hammers that strike the strings. It is comprised of over 9,000 parts which require adjustment to critical tolerances to be able to respond to a pianist's every command. The trap-work is the assemblage of levers, dowels and springs that connects the pedals to the action affecting sustain and dynamics. The damper system is the mechanical part of the piano that stops the vibration of the string when you release the key and is controlled by the key and pedal systems.

While tuning corrects the pitch of your piano, it is only one component of a complete maintenance program. Regulation attends to the touch and uniform responsiveness of your action, all vital to making each performance pleasurable. In addition, regulation ensures that your instrument is capable of producing a wide dynamic range -- a critical factor, particularly in pianissimo passages.

Music is one of the most complex vehicles for expression. Its beauty is reliant upon personal dynamics and tempi. These changes require extremely fine adjustments to respond to the pianist's nuances and subtle shadings. A smooth, even response throughout the entire range of the keyboard and an extremely quick action capable of playing rapid passages and repeated notes evenly is essential. Outstanding response is essential for a pianist to create an outstanding performance.


All upright and grand pianos need periodic regulation to perform their best. Frequency of regulation is dependent upon amount of use, exposure to climatic changes, and the instrument's quality, age and condition. New pianos may require regulation in their first year because settling and compacting of parts sometimes necessitates adjustment.
 

Upright piano action has 25 points of adjustment for each note

 

 

Grand Piano action has 35 points of adjustment for each note (key).

 

Briefly: What is reconditioning? What is rebuilding ?  

Today, many high-quality older pianos exist in various stages of wear. Because it happens so gradually, this wear often goes unnoticed, leaving many pianos operating far below their potential. In extreme cases, some older pianos are simply left unplayed because of their poor condition.

Some technicians possess the skills to restore such instruments to excellent condition. This work is variously described as rebuilding, restoration, renovation, remanufacturing, refurbishing, or reconditioning. To establish some uniformity, the Piano Technicians Guild uses the following terms:

  •  Reconditioning is the process of putting a piano back in good condition by cleaning, repairing, and adjusting for best performance with parts replacement only where necessary. This is most appropriate for a piano with only moderate wear or those of medium value with average performance requirements.

Reconditioning does not involve replacing major components such as the soundboard, bridges, pin-block, and most action parts. This means the performance and life-span of an older piano will not be restored to new. Instead, reconditioning is designed to improve a piano's performance, keeping in mind both costs and benefits.

  •  Rebuilding involves complete disassembly, inspection, and repair as necessary, including replacement of all worn, damaged, or deteriorated parts. The piano is then reassembled, tested, and adjusted to the same or similar tolerances as new. Complete rebuilding includes the entire piano structure -- including soundboard, bridges, pin-block, and strings — as well as the action, keyboard, and case refinishing. Partial rebuilding includes only one or two of these areas, for example rebuilding of the action and structure, but not case refinishing.

Rebuilding restores the piano to original condition or better. Such comprehensive work is usually most practical for high-quality instruments where maximum performance and longevity are required.

 

What happens to a piano as it ages?

In the short term, leather and felt compact, affecting the adjustment (regulation) of the parts. The action becomes uneven and less responsive, and the piano's tone loses dynamic range. Squeaks and rattles may develop. Routine maintenance such as hammer filing, regulation, voicing, and tuning will correct these problems and maintain the piano in near-new condition.

After extended or very heavy use, action parts become severely worn. Leather and felt wear thin. Keys become wobbly, hammer felt gets too thin to produce good tone, and the action becomes noisy. Regulation adjustments reach their limit. In addition, piano strings may begin breaking and the copper windings of bass strings lose resonance.

After decades of exposure to seasonal changes, the wood of the soundboard, bridges, and pinblock is weakened. This causes loose tuning pins, poor tuning stability, and further loss of tone. By this time the piano's finish will often be scratched or faded.

 

When does a piano need reconditioning or rebuilding?

Most pianos can be played for many years without major repairs. However, the tone, touch, and appearance will continually decline with age. If piano received no regular maintenance and/or when regular maintenance such as cleaning, regulating, voicing, and tuning can no longer provide satisfactory performance, a piano may require reconditioning or rebuilding.

Exactly when a piano needs rebuilding or reconditioning depends on its original quality, the climate, usage, and performance requirements. One piano may need rebuilding after just twenty years, while another may need only reconditioning after fifty years. The best way to decide is to seek out a qualified piano technician with the judgment, experience, and expertise to advise you on such an important decision. Our store offers a full service of used pianos and all works are fully guaranteed. Please call 905-855-1030 for full details or to discuss your needs.

 

How do I decide if major repairs are appropriate?

Not all pianos are worth the expense of reconditioning or rebuilding. In consultation with experienced piano technician, you should consider the following factors:

  • The overall condition of the piano. Can it really be restored to original condition or is it deteriorated
    beyond repair? Pianos subjected to severe fire, flood, or moving damage may not be repairable.
  • The quality, size, and type of the piano. Low priced, small pianos of poor design have limited
    potential. If the rebuilt piano would not be capable of meeting your performance needs, it would be
    better to replace it with new one of better design.
  • The cost of repairs versus replacement. Major repairs may exceed the value of small low-quality
    pianos. However, most large high-quality instruments can be rebuilt for one-half to two-
    thirds the cost of a comparable new piano, making rebuilding a cost-effective option for fine
    pianos.
  • Sentimental value. Personal attachment or historical value may justify investing in major
    repairs rather than replacement.

What work is included in reconditioning?

Reconditioning may include:

  • Thorough cleaning.
  • Repair or replacement of damaged parts as needed, typically including such jobs as felt
    replacement, hammer filing or replacement, and partial restringing.
  • Adjustment, regulation, tuning, and voicing to return all parts to proper function, reduce
    mechanical noise, and improve tone.
  • Finish touch-up or polishing.

What work is included in rebuilding?

Complete rebuilding typically includes:

  • Complete disassembly of the instrument.
  • Repair or replacement of soundboard, bridges, and pin-block, as well as repair of any structural
    damage to the case.
  • Replacement of all strings and tuning pins.
  • Thorough restoration of action and damper system, including replacement of hammers, many
    action parts, springs, and most felt.
  • Rebuilding of the pedal and trap-work system, including replacement of all worn felt, leather, and
    metal parts.
  • Refinishing of case and plate, polishing or re-plating of all hardware, and replacement of all decals, felt trims, and rubber buttons
  • Complete action regulation, tuning, and voicing.
  • Multiple tunings to stabilize new strings.

How do I arrange for these major repairs?

If you suspect that your piano needs major repairs, have a complete evaluation done by a qualified piano technician. Discuss costs versus benefits of various repair options, and whether the completed piano would meet your performance requirements. Clarkson Piano Centre offers the  "piano assessment service" - a detailed evaluation of your  piano's condition with recommended restoration options. The cost for this service is $50 (+7% tax).

We encourage you to ask for a second opinion and evaluation. Consistent recommendations by our  customers - "word-of-mouth" advertising- creates on a steady basis a waiting list of approximately 2-5 weeks for taking major new restorative piano work. We are confident, it is worth to wait and get your piano restored with us! You will get the best possible work performed at very reasonable cost! All works are supported by our written guarantee!  

 

FINISH CARE:

The piano is unique among musical instruments because it also serves as fine furniture for the home. In fact, the term "piano finish" has traditionally been used to describe the highest standards in wood finishing. Properly maintaining that fine finish will enhance your home's decor and preserve the value of your piano.

 

Basic Finish Care

Modern pianos are finished with a variety of materials, from traditional lacquer to modern polyurethanes and polyester resins. Whatever the material, a piano finish is designed to protect the wood from dirt and liquid spills, reduce the damaging effects of humidity changes, and — in the case of clear finishes — enhance the beauty of the wood.

Modern finishes are designed to do their job without the additional aid of polishes or waxes. In most cases, a piano finish is best maintained by simply keeping it clean and avoiding exposure to direct sunlight, extremes of temperature and humidity, and abrasion.

 

1. Avoiding finish damage.

Your piano's cabinet, like all woodwork, is subject to expansion and contraction with humidity changes. Excessive wood movement can eventually cause the finish to develop tiny cracks and even separate from the wood. Moderating the temperature and humidity swings around the piano will help to preserve its finish as well as its overall structure and tuning stability.

Locate the piano in a room with a fairly even temperature, away from drafts, dampness, and heat sources. Always avoid direct sunlight — it will age the finish prematurely and cause color fading.

To prevent scratches, never set objects on your piano without a soft cloth or felt pad. Never place plants or drinks on a piano, because spillage and condensation can cause major damage.

2. Dusting your piano.

Dust is very abrasive, and can scratch the finish if wiped off with a dry cloth. To avoid scratching, dust the piano lightly with a feather duster. Alternatively, wipe lightly with a soft damp cloth to pick up the dust, followed immediately with a dry cloth. The cloths should be soft cotton such as flannel, because coarse or synthetic fabrics can scratch some finishes. Wring out the damp cloth thoroughly so it leaves no visible moisture on the surface.

To avoid creating swirl marks, always wipe with long straight strokes rather than circular motions. Wipe with the grain for natural wood finishes, or in the direction of the existing sheen pattern for solid-color satin finishes. Because some exposed parts inside your piano are fragile, it's best to let your technician clean these areas.

3. Cleaning the finish.

To remove smudges and fingerprints, first dust using the damp/dry cloths as above. If heavier cleaning is necessary, dampen your cloth with a small amount of mild soap solution. A common product is Murphy's Oil Soap, available at most grocery and hardware stores.

 

4. To polish or not?

Before using polish on your piano, be sure it is actually necessary and beneficial. In general, most manufacturers recommend against using polishes because of the potential for damage to the finish and contamination of other parts of the instrument.

Common household products such as "lemon oil" or inexpensive "furniture polish" should be avoided. Despite the labels' claims that they "protect" the finish or "feed" the wood, they offer no protection from scratching and can actually soften the finish if overused. Worse, they often contain silicones and oils that contaminate the wood, complicating future refinishing or repairs. Silicone is especially dangerous because of its tendency to spread within the piano, sometimes causing extensive internal damage. Avoid aerosol products altogether since the over-spray can contaminate piano strings, tuning pins and action parts.

An appropriate polish can help to restore lustre to a dulled finish or reduce the tendency of some finishes to show fingerprints. However, it should be applied sparingly and infrequently, and all excess should be wiped clean with a soft dry cloth so no visible film remains. To prevent scratching, always dust before polishing. Specific recommendations follow.

5. Removing a heavy polish build-up.

If your piano's finish appears gummy, oily, or streaked, it may be contaminated with too much or the wrong type of polish. Adding more polish will not correct this problem. Instead the finish should be thoroughly cleaned, then evaluated for any further treatment.

To remove accumulations of old polish, use a cloth dampened with a mild soap solution as in item 3 above. Wring the cloth thoroughly to minimize wetting of the finish, and dry the surface immediately. Test a small area first to make sure the washing does not cause white marks or softening of an older finish.

If stronger cleaning is necessary, look for a product called "wood cleaner and wax remover" at hardware or wood workers supply stores, or ask your technician for a suggestion.

Once the original finish is clean, you can either leave it as is or enhance the gloss and clarity with an appropriate polish according to the finish type listed below.

 

Care of specific finish types

The two most common piano finishes are lacquer and polyester. Either material may come in clear, black, white, or other colors. Check your piano's owner information booklet to determine the type and recommended care of your piano's finish, or ask your technician or dealer for help if you're not sure.

Lacquer: Most, but not all, American-made pianos have lacquer finishes. They may be satin (dull sheen), semi-gloss, or high gloss.

Cleaning: For general dusting and cleaning of lacquer finishes, see items 2 and 3 preceding. Be especially careful to avoid scratching high gloss finishes by using only very soft, clean cloths and wiping with light pressure. For satin finishes, always rub in line with the existing sheen.

Polishing. Satin finishes are intended to be dull and will normally have a poor appearance if a gloss-producing polish is applied. If desired, a polish may be applied to gloss or semi-gloss finishes. Two common products are Guardsman Furniture Polish and OZ Cream Polish. Your technician may carry these or other products especially recommended for piano care. Note the precautions under item 4 regarding selecting and applying polishes.

When cleaning or polishing a lacquer finish, avoid hard pressure on sharp corners and edges since the finish can easily wear through to bare wood.

Polyester. Most Asian and European pianos have polyester finishes in satin or high-gloss (called high polish). Although somewhat "cold" in appearance, this material is harder and more scratch-resistant than lacquer, and best maintained by simple dusting and cleaning.

 

Cleaning. 

Use the same procedure as for lacquer.

Polishing. Satin polyester looks best when simply kept clean. Avoid gloss-producing polishes, which leave satin finishes looking shiny but scratched.

High-polish polyester finishes need only be kept clean to maintain their gloss. However, high-wear areas such as the music desk may eventually develop a hazy appearance caused by many fine scratches. These areas can be buffed back to a high gloss using a product designed to remove tiny scratches from fiberglass boats or plastic windows in convertible cars. Two such products are Meguiar's Mirror Glaze #17 Plastic Cleaner, and Meguiar's Mirror Glaze #9 Swirl Remover—available from marine supply, auto-parts, or automotive paint supply stores. Please contact us for periodic polyester finish refreshing  & buff-up service at reasonable costa dn have your piano became brand-new, again! 

Finish repairs

Dents, scratches, and chips sometimes occur, spoiling the appearance of an otherwise perfect finish. Such damage can usually be corrected by our specialist in "finish touch-up", please call us at 905-855-1030 to arrange your appointment!

Cleaning your keys

Piano keys eventually become soiled with accumulated oil and dirt from fingers. To clean your white keys, use a soft cloth dampened with water and a small amount of mild soap. Avoid solvents. Make sure the cloth is thoroughly wrung out, and wipe the keys back-to-front, rather than side-to-side, so excess moisture and dirt will not seep down the sides of the keys. Clean only a few keys at a time, drying immediately with a clean cloth.

Ivory keys are porous, and excessive moisture can penetrate and loosen their glue joints. Also, a dirty or brightly colored cleaning cloth can transfer stains into the ivory.

Clean sharps in the same manner, but use a separate cloth for painted wooden sharps to avoid black stains on the white keys.

Finish care tips

Locate your piano to avoid direct sunlight as well as excessive temperature and humidity changes. To avoid scratching, always remove dust first with a damp cloth or feather duster before wiping with a dry cloth.

Never place drinks, plants, etc. on the finish. Avoid placing vinyl or rubber in contact with the piano. Make sure that piano lamps, etc. have a felt-padded base. Avoid touching piano strings with fingers or damp cloths. Delicate parts inside your piano should be cleaned only by your technician. Use polish sparingly, if at all. Avoid aerosol products. Read labels carefully, and avoid any product containing silicone. Before playing, always wash your hands to prevent staining the sides and tops of the keys.

 

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